\nARNETT, J.. Metalheads: heavy metal music and adolescent alienation. Boulder: Westview Press, 1996.
\nAVELAR, I.. Defeated Rallies, Mournful Anthems, and the origins of Brazilian Heavy Metal. In: DUNN, C.; PERONE, C..Brazilian popular music & globalization. Gainsville: University of Florida Press, 2001.
\nBAULSH, Emma. Gesturing elsewhere: the identity politics of the Balinese Death\/Thrash Metal scene. Popular Music, 2003, volume 22, n. 02: 195 \u2013 215.
\nBENNETT, Andy. Popular Music and Youth Culture: music, identity and place. London: McMillian Press, 2000.
\nBERELIAN, Essi. Rough Guide to Heavy Metal. Rough Guides. Foreword by Bruce Dickinson of Iron Maiden, 2005.
\nBERGER, Harris M. Metal, Rock and Jazz : perception and the phenomenology of musical experience. Hanover\/London: Wesleyan University Press, 1999.
\nCARDOSO FILHO, J. L. C.. Afeto na an\u00e1lise dos grupamentos musicais. Revista ECO-P\u00d3S, Rio de Janeiro: UFRJ, volume 07, n. 02, 2004.
\nCHRISTE, Ian. Heavy metal \u2013 A hist\u00f3ria completa; tradu\u00e7\u00e3o de Milena Durante & Augusto Zantoz. S\u00e3o Paulo: Arx, 2010.
\n________. Sound of the Beast: The Complete Headbanging History of Heavy Metal. HarperCollins, 2003.<\/strong><\/p>\n
![\"Sound](\"http:\/\/i651.photobucket.com\/albums\/uu236\/MissMetalMaiden\/ian1.jpg\")
<\/p>\n
FABBRI, Franco. A Theory of Musical Genres: Two Applications. In HORN, David e TAGG, Philip (org.). Popular Music Perspectives. Londres e G\u00f6teborg: IASPM, 1982. HEBDIGE, Dick. Subculture: the meaning of style. New York: Routledge, 1979. PARELES, Jon & ROMANOWSKI, Patricia. The Rolling Stone Encyclopedia of Rock & Roll. Rolling Stone Press\/Summit Books, 1983. \n WALSER, Robert. Running with the devil: power, gender and madness in Heavy Metal music. Hannover\/London: Wesleyan University Press, 1993. Terreno fecundo para os acad\u00eamicos de Comunica\u00e7\u00e3o, Antropologia, Semiologia e Sociologia, o Rock (assim como o Metal, seu segmento mais complexo) \u00e9 pass\u00edvel de estudos em \u00e2mbito de an\u00e1lise do discurso midi\u00e1tico, representa\u00e7\u00f5es sociais e s\u00edgnicas, desde a linguagem textual e imag\u00e9tica at\u00e9 a comportamental e perform\u00e1tica. Trago aqui algumas refer\u00eancias bibliogr\u00e1ficas que colocam o […]<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[200,201,202,203,204,205,206,207],"class_list":["post-1445","post","type-post","status-publish","format-standard","hentry","category-blog","tag-artigos","tag-comunicacao","tag-identidades-pos-modernas","tag-livros","tag-metal","tag-performance","tag-representacoes-sociais","tag-rock"],"_links":{"self":[{"href":"https:\/\/ilhadometal.com.br\/manowar\/wp-json\/wp\/v2\/posts\/1445","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ilhadometal.com.br\/manowar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ilhadometal.com.br\/manowar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ilhadometal.com.br\/manowar\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/ilhadometal.com.br\/manowar\/wp-json\/wp\/v2\/comments?post=1445"}],"version-history":[{"count":0,"href":"https:\/\/ilhadometal.com.br\/manowar\/wp-json\/wp\/v2\/posts\/1445\/revisions"}],"wp:attachment":[{"href":"https:\/\/ilhadometal.com.br\/manowar\/wp-json\/wp\/v2\/media?parent=1445"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ilhadometal.com.br\/manowar\/wp-json\/wp\/v2\/categories?post=1445"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ilhadometal.com.br\/manowar\/wp-json\/wp\/v2\/tags?post=1445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nFAST, Susan. Led Zeppelin and the Construction of Masculinity, in Music Cultures in the United States, ed. Ellen Koskoff. Routledge, 2005.
\nFRIEDLANDER, Paul. Rock and roll: uma hist\u00f3ria social; tradu\u00e7\u00e3o de A. Costa. Rio de Janeiro: Record, 2004.<\/strong><\/p>\n![\"Rock](\"http:\/\/i651.photobucket.com\/albums\/uu236\/MissMetalMaiden\/friedlander.jpg\")
<\/a><\/p>\n
\nJANOTTI JR, Jeder. 666 The Number of the Beast: alguns apontamentos sobre a experi\u00eancia simb\u00f3lica a partir das letras, cr\u00e2nios, dem\u00f4nios e sonhos do heavy metal. Textos de cultura e comunica\u00e7\u00e3o. Salvador: Facom\/UFBA, n. 39, dez. 1998. p. 97-112.
\n________. \u201cRock and Roll all Nite\u201d: Notas sobre rock pesado, tecido urbano e sua apropria\u00e7\u00e3o em Porto Alegre. In: HAUSSEN, Doris Fagundes. M\u00eddia, Imagem & Cultura. Porto Alegre: EDIPUCRS, 2000. p. 249-264.
\n_________. Afeto, autenticidade e sociabilidade: uma abordagem do rock como fen\u00f4meno cultural. In: GOMES, It\u00e2nia M. Mota & JACOB DE SOUZA, Maria Carmen. Media & Cultura. Salvador: Edufba, 2003a.
\n_________. Aumenta que isso a\u00ed \u00e9 rock and roll: m\u00eddia, g\u00eanero musical e identidade. Rio de Janeiro:E-papers, 2003b.
\n_________. Heavy Metal com Dend\u00ea: rock pesado e m\u00eddia em tempos de globaliza\u00e7\u00e3o. Rio de Janeiro, E-papers, 2004.
\n_________. Por uma an\u00e1lise midi\u00e1tica da m\u00fasica popular massiva: uma proposi\u00e7\u00e3o metodol\u00f3gica para a compreens\u00e3o do entorno comunicacional, das condi\u00e7\u00f5es de produ\u00e7\u00e3o e reconhecimento dos g\u00eaneros musicais. E-Comp\u00f3s (Bras\u00edlia), v. 1, 2006.
\nKAHN-HARRIS, K.. The Failure of Youth Culture: Music, Politics and Reflexivity in the Black Metal Scene. European Journal of Cultural Studies, 2004, volume 07, n.01: 95 \u2013 111.
\n______.Transgression and mudanity: the global extreme metal music scene. London, 2001. PHD Thesis \u2013 GoldsmithsCollege, University of London.
\n______.Roots?: The Relationship Between the Global and the Local Within the Global Extreme Metal Scene. Popular Music, 2000, volume 19, n. 01: 13 \u2013 30.
\nLE\u00c3O, Tom. Heavy Metal \u2013 guitarras em f\u00faria. S\u00e3o Paulo: Editora 34, 1997 <\/strong><\/p>\n<\/a><\/p>\n
\nROSE, Tricia; ROSS, Andrew. Microphone Fiends: youth music & youth culture. London: Routledge, 1994.
\nSHARPE-YOUNG, Garry. Metal: The Definitive Guide. Jawbone Press, 2007.
\nSTRAW, Will. Characterizing Rock Music Culture: The Case of Heavy Metal. In: DURRING, Simon (ed.). The Cultural Studies Reader. London: Routledge, 1993. p.368-381.
\nSTRONG, Martin C. The Great Rock Discography. Canongate, 2004.
\nTHOMPSON, Graham. American Culture in the 1980s. Edinburgh University Press, 2007.
\nVAN ZOONEN, Liesbet. Entertaining The Citizen: When Politics and Popular Culture Converge. Rowan & Littlefield, 2005.
\nWALL, Mick. <\/strong>Led Zeppelin – Quando os Gigantes Caminhavam sobre a Terra<\/strong>;<\/strong> tradu\u00e7\u00e3o de Elvira Serapicos<\/strong> S\u00e3o Paulo: Larousse, 2009.<\/strong><\/strong><\/p>\n<\/a><\/p>\n
\nWEINSTEIN, Deena. Heavy Metal: the music and its culture. New York: De Capo, 1991\/2000.<\/strong><\/p>\n<\/a><\/p>\n
\n<\/strong>
\nARTIGOS & TESES<\/strong>
\nBRITO, Antonio Sergio Andrade de. Heavy metal: a imagem distorcida
\nCAMPOY, Leonardo Carbonieri. As trevas da cidade: o underground do metal extremo no Brasil.
\nCARDOSO FILHO, Jorge Luiz Cunha – Estrategias no heavy metal<\/a>
\nCARDOSO FILHO, Jorge Luiz Cunha – Din\u00e2micas expressivas do Rock
\nCARDOSO FILHO, Jorge Luiz Cunha – Heavy Metal e g\u00eanero medi\u00e1tico
\nCARDOSO FILHO, Jorge Luiz Cunha – Dem\u00f4nios, guerreiros e pentagramas: os grupamentos juvenis a partir das capas de \u00e1lbuns de Heavy Metal
\nCARDOSO FILHO, Jorge Luiz Cunha – A dimens\u00e3o midi\u00e1tica da can\u00e7\u00e3o: a produ\u00e7\u00e3o de sentido no heavy metal<\/a>
\nDANTAS, Danilo Fraga – A prateleira do rock brasileiro
\nJANOTTI JR, Jeder. CARDOSO FILHO, Jorge Luiz Cunha – MPM, mainstream e underground
\nZAGNI, Rodrigo Medina. When Two Worlds Collide – Representa\u00e7\u00f5es do real e monstruosidades fant\u00e1sticas no conjunto simb\u00f3lico das capas de \u00e1lbuns e singles da banda Iron Maiden<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"